I've been away. Not having had a huge readership to encourage me to keep pouring out my deepest heartfelt emotions and troubles, it would seem that summer has been much more important. The gardens needed tending. After taking some time to just simply watch plants and lilies grow, though, it is time to start thinking about business again. Re-focus would seem to be the key here.
Everyone needs some time away, even if it is only mental. I haven't taken any actual vacations during the past month but I have definitely allowed my attention to wander a bit while I just did the day-to-day stuff that needs to be done as a person involved in a small business is required to do. The rest of the work, the program and marketing development, the lead generation, the efficiency improvements, the continuing development of our operations manual and the analysis of production have all sat here on my desk while I stared out the window. And tended my gardens (gonna be on tours next year in case you're nearby). And pretty much just mentally vacated the premises.
My youngest daughter brought me back, though. We have a rather odd relationship, but I am finally getting to know her a little bit after about eighteen years of our living in separate locales. And she is eighteen at the moment. Should give you a clue as to the way life sometimes happens.
Anyway, she was walking with me in the yard and out popped the question of the day... "Dad, how come you like to garden?"
I thought about it for a minute and, being rather verbose, I'll just paraphrase the answer. Because it is constantly new. A garden varies not only from year to year, but also daily. There is always something to plant, to move, to weed out, to thing, to transplant or water or just plain enjoy. Every single aspect of it evolves and it is a small environment that is exciting at nearly every single point in a year, even if it is covered in snow.
This, of course, caused me to consider my business. Even though we have established some patterns of sales over the years, we are changing daily as well. Last night, I upgraded our accounting system. It is designed to save time but requires work. We are constantly working to focus our sales efforts and to target customers where we can, to manage our employees and provide them with better benefits. Daily, each individual has a slightly different outlook, a different attitude and even a slightly changed view of the quality and timeliness in orders. Our costs change. Sometimes it feels like trying to pick up the ocean in one hand.
That is the aspect of business that fascinates me. How do we grow steadily, how do we maintain at least a semblance of profitability when we are never entirely in control of our surrounding influences? And why do we keep plugging away at it after all of these years.
The answer, I think, lies in the gardens.
Just like everyone else, I ramble. If ramblings are written down, does that make them philosophy?
Thursday, July 31, 2008
Wednesday, June 25, 2008
All clothing is NOT created equal
You are a distributor (go with me here... it's a thought process). Your customer shows you a shirt and you immediately think 'this is why I hate clothing sales'.
"I bought this at Sears," he says. "Get more for me." (By the way, what he really means is that you need to get them for him cheaper).
Of course you can find them. You're super-sales person. You have experience, the ASI reference manuals at your fingertips and you can do anything. And two hours later, you are concluding that this is a complete waste of your time.
The reason you can't locate the exact same brand and color combination and set of styles or materials is simple. The shirt your customer bought was retail. The catalogs you have been searching through are corporate wholesale. And mostly, the twain shall not meet.
Retail apparel sells way better than its corporate counterparts and is far more profitable to the sellers. If you happen to locate the exact same style in a mill brand (that is, one of the major manufacturers like Hanes or Jerzees), then it probably means that the customer got the item on closeout and the emphasis on the marketing of that particular shirt is now shifting to those of us in the other part of their marketing network. We, the wholesalers and distributors to the corporate market, get the leftovers or standard stock items that don't cut into their more lucrative markets.
Pretty cheesy, huh? And it seems kind of unfair, especially if you're trying to make a living at this horrible business we so affectionately call "trinkets and trash".
Fortunately, bravery and a little bit of soft selling can get you through. And some perseverance.
All will not be sugar-coated. You simply cannot find some apparel if it is purely retail and you may never be able to price it at a lower price even if you do happen to locate it. We go back to the idea that retail sales are far more profitable than we corporate folks ever will be. There is the volume sold through retailers. Way big. This leads, of course, comes the volume of purchases that stores can make as opposed to the six or eight pieces at a time that we can. Seems like we may not be able to get a good deal that might just beat our rather retail competitors.
We're kind of stuck at times. Even offering to try to find something similar is daunting, although it is the job we do.
Sadly, there is no easy solution. The only truly successful approach I have ever taken has been to be honest with the customer and to have more knowledge. If they want to buy from, say, Land's End, it is fine. We can't. If they buy from some other retail location, again, that is all well and good. As a service, we will get the goods decorated. Otherwise, we really don't have a lot more advice to offer.
On the other hand, there are way more customers who understand and they are the ones who get the most attention. Go find a few more of them.
"I bought this at Sears," he says. "Get more for me." (By the way, what he really means is that you need to get them for him cheaper).
Of course you can find them. You're super-sales person. You have experience, the ASI reference manuals at your fingertips and you can do anything. And two hours later, you are concluding that this is a complete waste of your time.
The reason you can't locate the exact same brand and color combination and set of styles or materials is simple. The shirt your customer bought was retail. The catalogs you have been searching through are corporate wholesale. And mostly, the twain shall not meet.
Retail apparel sells way better than its corporate counterparts and is far more profitable to the sellers. If you happen to locate the exact same style in a mill brand (that is, one of the major manufacturers like Hanes or Jerzees), then it probably means that the customer got the item on closeout and the emphasis on the marketing of that particular shirt is now shifting to those of us in the other part of their marketing network. We, the wholesalers and distributors to the corporate market, get the leftovers or standard stock items that don't cut into their more lucrative markets.
Pretty cheesy, huh? And it seems kind of unfair, especially if you're trying to make a living at this horrible business we so affectionately call "trinkets and trash".
Fortunately, bravery and a little bit of soft selling can get you through. And some perseverance.
All will not be sugar-coated. You simply cannot find some apparel if it is purely retail and you may never be able to price it at a lower price even if you do happen to locate it. We go back to the idea that retail sales are far more profitable than we corporate folks ever will be. There is the volume sold through retailers. Way big. This leads, of course, comes the volume of purchases that stores can make as opposed to the six or eight pieces at a time that we can. Seems like we may not be able to get a good deal that might just beat our rather retail competitors.
We're kind of stuck at times. Even offering to try to find something similar is daunting, although it is the job we do.
Sadly, there is no easy solution. The only truly successful approach I have ever taken has been to be honest with the customer and to have more knowledge. If they want to buy from, say, Land's End, it is fine. We can't. If they buy from some other retail location, again, that is all well and good. As a service, we will get the goods decorated. Otherwise, we really don't have a lot more advice to offer.
On the other hand, there are way more customers who understand and they are the ones who get the most attention. Go find a few more of them.
Tuesday, June 10, 2008
Yes, I DO rant
Today's rant is about trust. It occurs to me that business in general is based on it. Forget the long-term supply contract, the written non-compete, the long and verbose tomes that are best kept in a safe deposit box and never spoken of because they will somehow activate and cause lawsuits of epic proportion (I always enjoy using that phrase).
Trust is about how things are done.
This particular topic arises because after three years with my credit card processing company, I have changed once more. The contract terminates this month and the processing company will be no longer. Enter new folks. They get their chance.
Why did I do this? Easy enough to explain. In a roundabout manner anyway.
We receive, as do most businesses and homes, enormous numbers of letters and solicitations, many from credit card companies, processors and advertisers. Most are not even reviewed. Most are filed in the round bin.
In January of this year, for reasons unknown, and probably because I was bored, I happened to open a note from our soon-to-be future card processing company. The note was all in fine print. It stated that, due to reasons to be explained later, they were raising our processing fee for one particular card by seventy five (75) percent (%). No explanation other than the fact that the rate was going up.
Had I not read the fine print, I probably would not have noticed this.
Fortunately, I did. I then called the processor and asked why they were doing this. They could not give a reasonable answer. After that, I requested a review and suggested that the fees they had earned last year were reasonable (hey, it's a lot of money running through the accounts!) and that they were about to lose my business if they didn't change their tune.
Usually, that is enough. Except that even though the processing company did indeed lower my rates and not make any changes, I was placed in a position of distrust. I knew that I had been treated this way once and that it was likely to happen once more. I also realized that it would be necessary forever into the future to review every single piece of mail, junk appearing or not, for my processor, just to make sure that they didn't pull some sneaky switch later on.
All for trust. Or a lack thereof.
This causes me to review our own (Team Mates) practices. Are we trustworthy? Do we ever attempt to do anything that brings on a feeling of mistrust?
Just wondering. Always.
Trust is about how things are done.
This particular topic arises because after three years with my credit card processing company, I have changed once more. The contract terminates this month and the processing company will be no longer. Enter new folks. They get their chance.
Why did I do this? Easy enough to explain. In a roundabout manner anyway.
We receive, as do most businesses and homes, enormous numbers of letters and solicitations, many from credit card companies, processors and advertisers. Most are not even reviewed. Most are filed in the round bin.
In January of this year, for reasons unknown, and probably because I was bored, I happened to open a note from our soon-to-be future card processing company. The note was all in fine print. It stated that, due to reasons to be explained later, they were raising our processing fee for one particular card by seventy five (75) percent (%). No explanation other than the fact that the rate was going up.
Had I not read the fine print, I probably would not have noticed this.
Fortunately, I did. I then called the processor and asked why they were doing this. They could not give a reasonable answer. After that, I requested a review and suggested that the fees they had earned last year were reasonable (hey, it's a lot of money running through the accounts!) and that they were about to lose my business if they didn't change their tune.
Usually, that is enough. Except that even though the processing company did indeed lower my rates and not make any changes, I was placed in a position of distrust. I knew that I had been treated this way once and that it was likely to happen once more. I also realized that it would be necessary forever into the future to review every single piece of mail, junk appearing or not, for my processor, just to make sure that they didn't pull some sneaky switch later on.
All for trust. Or a lack thereof.
This causes me to review our own (Team Mates) practices. Are we trustworthy? Do we ever attempt to do anything that brings on a feeling of mistrust?
Just wondering. Always.
Friday, June 6, 2008
A little bit of Philosophy
I am not well-read, at least in the classics area, although I do read an awful lot of trashy mystery books and such. One must entertain oneself after all.
But I get to thinking about business in general and Team Mates in particular and come up with some interesting ideas (well, maybe).
One of them is that business should be fun. Yes, it really should be.
I wrote an email reply to a client today. It was just the slightest bit caustic, but there was a point to it. The reply was a response to a demand for credit. Anyone who has ever been in business for a few years gets those sorts of, well, orders. "If you want to do business with me, you'll give me net 60 days". And, of course, they really look promising on the outside. Lots of business, even maybe a credit application that looks like they have tons of good references.
There are little signs, though. The way that the instruction is given. "You WILL give me credit." Definitely a bad sign. "I have thirty thousand dollars worth of orders to place. Don't you want them?" Gotta think about that one. Especially if business overall is down. "I always pay my bills." Oh, that's fabulous. So when?
How about this for an appropriate beginning to a new business relationship.
"Do you have a credit app? And I don't mind paying this right away in order to establish credit with you."
Expectations. I mean, give me at least a little bit of a break here. We have expectations and we even, should the need arise, do our best to raise the level of our customers' education in embroidery, to work with them to give the very best of service, and even to make them smile on occasion.
Which brings me full circle. New customer responses to simple questions like, "We don't normally do net thirty on a first order" are key to the establishment of a good business relationship and the future fun we can have. I really don't enjoy coming in to work and finding a pile of past due receiveables on my desk. I really hate struggling to make payroll while some person sits on my hard-earned cash or struggles because he's too lazy to call and collect from his customers.
Just the way it goes, I think. And today, the letter I wrote? Not all that complimentary. Hidden hopes that maybe the potential new customer might take all those huge orders down the road. Because his responses to my questions regarding credit just didn't make me feel happy. And that's my story. It is Friday. I want to be happy.
But I get to thinking about business in general and Team Mates in particular and come up with some interesting ideas (well, maybe).
One of them is that business should be fun. Yes, it really should be.
I wrote an email reply to a client today. It was just the slightest bit caustic, but there was a point to it. The reply was a response to a demand for credit. Anyone who has ever been in business for a few years gets those sorts of, well, orders. "If you want to do business with me, you'll give me net 60 days". And, of course, they really look promising on the outside. Lots of business, even maybe a credit application that looks like they have tons of good references.
There are little signs, though. The way that the instruction is given. "You WILL give me credit." Definitely a bad sign. "I have thirty thousand dollars worth of orders to place. Don't you want them?" Gotta think about that one. Especially if business overall is down. "I always pay my bills." Oh, that's fabulous. So when?
How about this for an appropriate beginning to a new business relationship.
"Do you have a credit app? And I don't mind paying this right away in order to establish credit with you."
Expectations. I mean, give me at least a little bit of a break here. We have expectations and we even, should the need arise, do our best to raise the level of our customers' education in embroidery, to work with them to give the very best of service, and even to make them smile on occasion.
Which brings me full circle. New customer responses to simple questions like, "We don't normally do net thirty on a first order" are key to the establishment of a good business relationship and the future fun we can have. I really don't enjoy coming in to work and finding a pile of past due receiveables on my desk. I really hate struggling to make payroll while some person sits on my hard-earned cash or struggles because he's too lazy to call and collect from his customers.
Just the way it goes, I think. And today, the letter I wrote? Not all that complimentary. Hidden hopes that maybe the potential new customer might take all those huge orders down the road. Because his responses to my questions regarding credit just didn't make me feel happy. And that's my story. It is Friday. I want to be happy.
Tuesday, May 27, 2008
You can pick your threads and you can pick your friends...
But you really can't pick your friends' threads. No, really. Ever tried to explain a color to someone? Tough, isn't it. And I'm not talking about the blind neighbor who really wants to know what the sunset looks like. I am truly just talking about, say, a pal on the other side of town, on the phone, who wants to know what your vegas gold thread matches. Or the one who did some t-shirts and now wants to match the t-shirt colors to a crest-sized embroidered logo but needs exact matches.
Personally, my heart kinda sinks when I get the question, "Here are the PMS colors for the design and my client wants them matched exactly."
My first thought is, well (it's a thought), I could just go out and spin some polyester right after I mix the proper colors and do a test print somewhere. That would work, right?
The answer is, um, no. Really, thread never matches ink. It just doesn't. You can take a piece of embroidery or sewing thread out in the sunlight and it looks entirely different in color than it does under fluorescents. Apart from that, it never really matches those expensive little pantone charts that are so carefully updated and handed out (or sold for lots of money).
There are close comparisons. We carry a couple of manufactured threads that provide us with reference charts. The charts are good at giving us an approximation of the color that will closely match but often, it is not exact and we have, over the past sixteen years, actually had complaints by customers who said that our thread color is way off from their own idea of the correct pantone. Some have even come in and looked at our wall of thread (over 100 colors, no waiting), and picked their own, which is always an option.
Oh, wait. We don't have every single color, either. We rarely have to go buy additional ones, but we do, on occasion, have to substitute one slightly different one, or come 'as close as possible' where necessary. But really, how many colors should one be expected to carry?
We do work hard at matching. But the very first thing we do try to do during the client education process is inform them that some compromise regarding color may be required, especially if they are doing embroidered goods for the first time. Because it just is not the same. Embroidery colors are never quite like print colors and while PMS colors are close, they are not entirely perfect. It's just the nature of the beast.
Personally, my heart kinda sinks when I get the question, "Here are the PMS colors for the design and my client wants them matched exactly."
My first thought is, well (it's a thought), I could just go out and spin some polyester right after I mix the proper colors and do a test print somewhere. That would work, right?
The answer is, um, no. Really, thread never matches ink. It just doesn't. You can take a piece of embroidery or sewing thread out in the sunlight and it looks entirely different in color than it does under fluorescents. Apart from that, it never really matches those expensive little pantone charts that are so carefully updated and handed out (or sold for lots of money).
There are close comparisons. We carry a couple of manufactured threads that provide us with reference charts. The charts are good at giving us an approximation of the color that will closely match but often, it is not exact and we have, over the past sixteen years, actually had complaints by customers who said that our thread color is way off from their own idea of the correct pantone. Some have even come in and looked at our wall of thread (over 100 colors, no waiting), and picked their own, which is always an option.
Oh, wait. We don't have every single color, either. We rarely have to go buy additional ones, but we do, on occasion, have to substitute one slightly different one, or come 'as close as possible' where necessary. But really, how many colors should one be expected to carry?
We do work hard at matching. But the very first thing we do try to do during the client education process is inform them that some compromise regarding color may be required, especially if they are doing embroidered goods for the first time. Because it just is not the same. Embroidery colors are never quite like print colors and while PMS colors are close, they are not entirely perfect. It's just the nature of the beast.
Tuesday, May 6, 2008
So much to discuss
Even though I haven't been able to get much more than a post every other week, the fact is, I have a lot to say. Life and companies change with the demands of consumers, who change with the demands of their customers at such a great clip these days that it not only is hard to keep up, but it is nearly impossible to WANT to keep up.
I'll bet everyone has one of those days when they dig their heels in and say "No, I won't do it." In fact, the older I get, the more I hear that little voice in my head. At some point, isn't enough just plain enough?
The answer is "absolutely not."
What makes business interesting has nothing to do with how much money you make or how much prestige is earned by being the biggest or the loudest or the fastest. The interesting thing is that, for those who want it, there is always something new to do, something new to learn and some incentive for doing it.
As a young man, I was confused about what I wanted to do with my life. Oh, I had aspirations, most of which had to do with being rich and successful (still do as a matter of fact) but the flood of opportunities and indecision led me to conclude that I had no clear idea as to what it was that really called me. I spent money on advisors, took the tests, tried the aptitude and psychological evaluations and learned one simple thing.
At some point, the psychologist asked me a simple question. "Do you want to be an employer or an employee?"
I pondered that for a long moment. And finally answered the question.
"You're always an employee. There really is no such thing as an employer, except the company you work for. Or the customers who buy from you."
And that was what I learned. It is also the one thing that I try to make clear to employees here. We are all beholden to one single employer. Our customers. Without them, we simply couldn't make it.
I'll bet everyone has one of those days when they dig their heels in and say "No, I won't do it." In fact, the older I get, the more I hear that little voice in my head. At some point, isn't enough just plain enough?
The answer is "absolutely not."
What makes business interesting has nothing to do with how much money you make or how much prestige is earned by being the biggest or the loudest or the fastest. The interesting thing is that, for those who want it, there is always something new to do, something new to learn and some incentive for doing it.
As a young man, I was confused about what I wanted to do with my life. Oh, I had aspirations, most of which had to do with being rich and successful (still do as a matter of fact) but the flood of opportunities and indecision led me to conclude that I had no clear idea as to what it was that really called me. I spent money on advisors, took the tests, tried the aptitude and psychological evaluations and learned one simple thing.
At some point, the psychologist asked me a simple question. "Do you want to be an employer or an employee?"
I pondered that for a long moment. And finally answered the question.
"You're always an employee. There really is no such thing as an employer, except the company you work for. Or the customers who buy from you."
And that was what I learned. It is also the one thing that I try to make clear to employees here. We are all beholden to one single employer. Our customers. Without them, we simply couldn't make it.
Sunday, April 20, 2008
Design difficulty
I spend a ton of time writing letters to customers and to potential customers that all basically say the same thing. "Sorry, but that design just won't work." I try, of course, to say it nicely since the first rule is to treat people with respect and the second rule in contract embroidery is not to send someone running off to another embroiderer who will make the claim that it CAN be done.
Our business involves machines with one or more sewing heads that attach thread to material. The items required (apart from the sewing heads) are thread, needles, something to sew on and a design that has certain parameters.
We charge, at the most basic level, by the amount of time that it takes to sew a piece. The charges drop for higher quantities, although the reason behind the dropping charges is that the first piece, as in printing, takes the longest to set up and each additional piece cuts the average set up time down. Thousands of pieces at a time reduce the setup time to nil and also create a situation where we can be the very most efficient. This allows us to charge a very small amount per (measured rate) 1,000 stitches, which is the standard used to measure price in the industry.
Back to basics, though. It amazes me at the number of new designs that are thought up each day. I keep wondering if we'll ever run out of fresh, new ideas that signify someone's idea of their company business. At the same time, I keep wondering if artists will ever learn to ask for advice before arting up designs. They really should.
Here are some logical reasons for needing to work with an embroiderer if a design is made specifically to decorate apparel.
Fades are darned near impossible when doing embroidery. Those small, crest-sized logos with imaginative and cool fades and color transitions will never look the same. You're using thread and multiple colors of thread just don't blend the way the art program makes them look. Thread is linear. It needs to go in and out of other linear items in order to stay attached. Laying one color on top of another just simply doesn't work the same.
Stitch count is a big factor in doing designs. Big solid boxes and colored backgrounds and complex, highly detailed two- and three-color drawings are going to be expensive to do, probably far larger than one might wish for them to be and they do very very bad things to material. A nice polo shirt looks like it has a hole in the crest, for instance, when one adds a whole bunch of stitches to a design.
Design significance really tells the tale, I think. Does the design that will be applied actually impart the meaning of the company or event? Does it just contain lettering? Artists in general tend to go to great lengths to make something fascinating. I have great respect for that. But really, does it impart meaning to the logo, which is representative and should remind those who see the logo what the company actually does? Or is it just something cool? How clear is the company's function when printed out? Yes, we have been going through that very same concern lately. Team Mates has been around for nearly sixteen years and we still work on creating a logo that actually tells potential customers what we do.
Anyway, those are a few of the challenges I face daily. And the nice letters give me a chance to practice written communication. I even get to do humor once in awhile.
Our business involves machines with one or more sewing heads that attach thread to material. The items required (apart from the sewing heads) are thread, needles, something to sew on and a design that has certain parameters.
We charge, at the most basic level, by the amount of time that it takes to sew a piece. The charges drop for higher quantities, although the reason behind the dropping charges is that the first piece, as in printing, takes the longest to set up and each additional piece cuts the average set up time down. Thousands of pieces at a time reduce the setup time to nil and also create a situation where we can be the very most efficient. This allows us to charge a very small amount per (measured rate) 1,000 stitches, which is the standard used to measure price in the industry.
Back to basics, though. It amazes me at the number of new designs that are thought up each day. I keep wondering if we'll ever run out of fresh, new ideas that signify someone's idea of their company business. At the same time, I keep wondering if artists will ever learn to ask for advice before arting up designs. They really should.
Here are some logical reasons for needing to work with an embroiderer if a design is made specifically to decorate apparel.
Fades are darned near impossible when doing embroidery. Those small, crest-sized logos with imaginative and cool fades and color transitions will never look the same. You're using thread and multiple colors of thread just don't blend the way the art program makes them look. Thread is linear. It needs to go in and out of other linear items in order to stay attached. Laying one color on top of another just simply doesn't work the same.
Stitch count is a big factor in doing designs. Big solid boxes and colored backgrounds and complex, highly detailed two- and three-color drawings are going to be expensive to do, probably far larger than one might wish for them to be and they do very very bad things to material. A nice polo shirt looks like it has a hole in the crest, for instance, when one adds a whole bunch of stitches to a design.
Design significance really tells the tale, I think. Does the design that will be applied actually impart the meaning of the company or event? Does it just contain lettering? Artists in general tend to go to great lengths to make something fascinating. I have great respect for that. But really, does it impart meaning to the logo, which is representative and should remind those who see the logo what the company actually does? Or is it just something cool? How clear is the company's function when printed out? Yes, we have been going through that very same concern lately. Team Mates has been around for nearly sixteen years and we still work on creating a logo that actually tells potential customers what we do.
Anyway, those are a few of the challenges I face daily. And the nice letters give me a chance to practice written communication. I even get to do humor once in awhile.
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